La Grande Saison
No. 01Les Offices

What the bureau actually does.

Six offices, one calendar. Most members use three of them; the value is that they are worked by the same people, in the same year, against the same list of deadlines.

Six kinds of work, kept under one roof.

01

Le placement

Placement

Shows, showrooms, re-sees.

A seat is not a ticket. Placement is a relationship with a house's press office, held over years and spent carefully — which show, which row, and whether the showroom appointment that matters more comes after it.

  • Show and presentation seating
  • Showroom and re-see appointments
  • Fittings and made-to-measure calendars
  • Paris, Milan, London, New York

02

Les foires

Fairs & Biennales

Venice, Basel, Frieze, TEFAF.

The fair is decided during the two days before it opens. We hold VIP and preview credentials across the majors, walk the floor with you or ahead of you, and get a first look sent through before it is on a wall.

  • Preview and vernissage credentials
  • First-look files ahead of the fair
  • Booth routes built to a collection
  • Pavilion and collateral access

03

Les ventes

The Sales

Auction representation and advisory.

We read the catalogue with you, form a view on estimate against condition and provenance, and sit the room — or the phone — on your instruction. Discretion here is the whole of the service.

  • Catalogue review and condition reports
  • Estimate and bidding strategy
  • Representation in the room, by phone, absentee
  • Private treaty introductions

04

Les collections privées

Private Collections

Houses and ateliers, opened.

The collections that never travel and the studios that do not receive. Visits are secured one at a time, by name, and the invitation is rarely repeated — so we make the day around it worth the journey.

  • Private collection visits
  • Atelier and studio appointments
  • Foundation and reserve tours
  • Curator-led walkthroughs, out of hours

05

Les premières

Opening Nights

Opera, ballet, theatre.

Premieres sell before they are announced. We hold the houses on subscription-level terms, place you in the right box rather than the best one, and see to what happens after the curtain — which is usually the point.

  • Premieres and gala evenings
  • Boxes held across the season
  • Festival residencies
  • Suppers and after-curtain tables

06

Les commandes

Commissions

Brokering work that does not exist yet.

Approaching an artist is a matter of timing and of who is asking. We structure the commission — brief, fee, schedule, rights, installation — so the conversation stays about the work.

  • Artist approach and introduction
  • Brief, fee and schedule structuring
  • Rights, editions and documentation
  • Fabrication and installation oversight
No. 02La CadenceHow the year runs

A year has
a rhythm.

September
Files for the coming year are read. The calendar is drafted.
December
Members receive the Season, marked with what is already held in their name.
Through the year
Four scheduled conversations, and the bureau on the telephone whenever a deadline moves.
August
The bureau closes for two weeks, apart from Salzburg. So does everyone worth telephoning.
No. 03Le Calendrier2026

01

Janvier

Couture

Paris

02

Février

The Collections

London · Milan · Paris

03

Mars

TEFAF

Maastricht

04

Avril

The Biennale opens

Venice

05

Mai

The spring sales

New York

06

Juin

Art Basel

Basel

07

Juillet

Couture · the festival season

Paris · Aix

08

Août

Festspiele

Salzburg

09

Septembre

The Collections

New York · London · Milan

10

Octobre

Frieze · Art Basel Paris

London · Paris

11

Novembre

The autumn sales

New York

12

Décembre

Art Basel Miami Beach

Miami

The public calendar is the smaller half of it. The dates that matter to a member — a preview two days before a vernissage, a re-see that is never listed, a specialist’s call before a catalogue goes to print — are not printed anywhere, which is rather the point of the bureau.

Membership and terms